Will: What Is He Good For?
At ”Will: What Is He Good For?” We seek to explore the question of who was the Real Shakespeare - who wrote his beautiful words - because understanding who he was can unlock the key to understanding his works and words in a new way. It also can help to inform the argument - who is he for? Is Shakespeare an old relic - only the academics, those of his time, and the cultural “elite.” Or is he indeed for everyone who wants to know and experience his plays? Throughout our series, we’ll explore the Man from Stratford’s life, history, and explore textual clues that will prove who owns Shakespeare’s words, relevance, and most importantly his legacy.
Episodes
Tuesday Jul 18, 2023
Bonus Episode!
Tuesday Jul 18, 2023
Tuesday Jul 18, 2023
As we get ready to open our summer production of Henry the Fifth, our Artistic Director, William Downes, and Company Manager, Sharon Stevens sit down and quickly chat about the play, the process and 10 years of Classics on the Rocks.
Saturday Feb 11, 2023
Episode 5: The End of an Era
Saturday Feb 11, 2023
Saturday Feb 11, 2023
March 24, 1603, Queen Elizabeth I dies, and without an heir or a clear line of succession she is succeeded by James I, her second cousin. With a new monarch and family line in place, it’s time for Shakespeare to cozy up to James (just like he did with Elizabeth). In our 5th and final episode of the season, we talk about how “the Scottish play", and Shakespeare's later plays bring his epic life to a close.
Saturday Feb 11, 2023
Episode 4: Nirvana, or Something Like It
Saturday Feb 11, 2023
Saturday Feb 11, 2023
After an 18-month plague-induced lockdown London’s theatres begin to open up again and the acting companies make their way back on stage. This is the time Shakespeare begins his career in earnest as the pre-eminent playwright of the Elizabethan stage. In episode 4, we explore how the globe theatre and the key actors of the time helped to inspire Shakespeare's work and define the man he would become.
Thursday Jan 12, 2023
Episode 3: Welcome Back, Will!
Thursday Jan 12, 2023
Thursday Jan 12, 2023
After a 7-year absence from public record, Shakespeare reappears in London, where he is referenced by a rival dramatist, Robert Greene in his bitter deathbed pamphlet, "A Groats-worth of Witte" gaining the moniker “upstart crow." Shakespeare's early years in London are a fascinating time filled with plays, plagues, and poetry. In episode 3, we explore how this period of time helped that man from Stratford to become the playwright we know and love.
Saturday Dec 31, 2022
Episode 2: What’s Really Shaking?
Saturday Dec 31, 2022
Saturday Dec 31, 2022
Between the years of 1585- 1592, Shakespeare disappears from public record. With the exception of his twin's baptism in 1585, and a land dispute court document in 1589 there is very little to the man from Stratford's life. These "lost years" are where many of the theories behind the "authorship question" begin. In episode 2, we explore some of those theories, what may have happened in those missing years, and how that period of his life helped shape him into the playwright he would become.
Monday Dec 12, 2022
Episode 1: Authorship
Monday Dec 12, 2022
Monday Dec 12, 2022
The question surrounding whether or not the man from Stratford-Upon-Avon, known as William Shakespeare, really wrote his plays, or more commonly known as the “authorship question” is a weird one. People will twist themselves into knots to discredit Shakespeare and justify alternative theories. However, if you follow the arc of his life, there is evidence that he is who he is and he did write his plays. In our first episode, we take a look at how Shakespeare's early life laid the groundwork for some of history's greatest playwriting.
Monday Nov 28, 2022
What’s it all about?
Monday Nov 28, 2022
Monday Nov 28, 2022
In "Will: What Is He Good For?" we explore the question of authorship. Was that man from Stratford really the man who penned epics like Hamlet and King Lear? Listen to our quick intro to hear more about what we think and why we'll be diving into this issue over the next 6 weeks.
About Your Hosts
William Downes
Founder, Artistic Director | Classics on the Rocks
Prior to founding the NYC based theater company, Classics on the Rocks, William Downes spent years honing his craft in and around New York City. He's had the honor of playing some of Shakespeare's most delightful clowns such as Dogberry (Much Ado About Nothing) Dromio of Syracuse (Comedy of Errors) Touchstone (As You Like It) and Launce (Two Gentlemen of Verona). On the more serious side, he's played such intricate roles as Macbeth (MacBeth) Othello (Othello) Roderick (Double Falsehood) and Petruchio (Taming of the Shrew) He also teaches master classes on the use of cue scripts, and First Folio acting technique. In addition to his work with Classics on the Rocks, he does private verse and text coaching.
Victoria Wood
Associate Director | Classics on the Rocks
After graduating with her BFA from Emerson College, Victoria returned home to New York to be a part of the classical theatre scene. After playing such roles as Viola (Twelfth Night), Mistress Ford (The Merry Wives of Windsor), Lady MacDuff (Macbeth), Nerrissa (The Merchant of Venice) and Puck (A Midsummer Night’s Dream), she also received her Masters of Public Administration at Baruch College. Victoria has been directing and co-producing classes and performances with Classics on the Rocks since 2014.
About Classics on the Rocks
Classics on the Rocks is a NYC-based ensemble acting company founded in 2013. At Classics on the Rocks, we believe that just as whiskey doesn't need anything more than rocks to tame its bite, Shakespeare doesn't need fancy concepts, modernizations, frilly costumes, or big sets to make it relatable. All you need are talented actors who trust the text and tell the story.
Our mission is to create a warm, friendly environment where actors and audience can come together and experience classical theatre in an easily accessible, and engaging way. Learn more at www.classicsontherocks.org