Will: What Is He Good For?
At ”Will: What Is He Good For?” We seek to explore the question of who was the Real Shakespeare - who wrote his beautiful words - because understanding who he was can unlock the key to understanding his works and words in a new way. It also can help to inform the argument - who is he for? Is Shakespeare an old relic - only the academics, those of his time, and the cultural “elite.” Or is he indeed for everyone who wants to know and experience his plays? Throughout our series, we’ll explore the Man from Stratford’s life, history, and explore textual clues that will prove who owns Shakespeare’s words, relevance, and most importantly his legacy.
Episodes
Saturday Dec 07, 2024
Introducing Season 3: From the Stage to the Page
Saturday Dec 07, 2024
Saturday Dec 07, 2024
Season 3 of Will: What is He Good For? is coming soon! Join us for another fun-filled series of Shakespeare history and an exploration of his plays. This season we're taking deeper look at the landscape of Elizabethan theatre, who was performing what and how.
Listen to our teaser episode to learn more about what to expect from this season.
From the traveling acting troupes that he would eventually join, to the children’s acting troupes that rivaled his own Lord’s Chamberlain's Men in popularity, to the spaces he worked and wrote for.
We’ll look to the text to find examples of how Shakespeare incorporated his life on the Elizabethan stage, into his work and also consider the broader historical context.
Join us for Season 3 of Will: What is He Good For? From the Stage to the Page.
Sunday Jun 02, 2024
Bonus Episode: Get to know the team behind The Merry Wives of Windsor!
Sunday Jun 02, 2024
Sunday Jun 02, 2024
In this bonus episode of "Will: What is He Good For?", hosts Victoria Gomez Wood and William Downes sit down with Rachel Purcell Fountain, the director of Classics on the Rocks' upcoming summer 2024 production of "The Merry Wives of Windsor." The trio delves into the unique challenges and exciting elements of bringing this beloved Shakespearean comedy to life. Rachel shares her vision for the production and the ways in which modern audiences can connect with the humor and themes of the play. Listen in to learn more and save the date - July 18, 19, and 20th in NYC - to see The Merry Wives of Windsor!
Wednesday Feb 21, 2024
Soo... Good Talk?
Wednesday Feb 21, 2024
Wednesday Feb 21, 2024
Over the past several episodes, we've explored some of the common themes presented in Shakespeare's married couples that hint at how he felt about marriage.
In Julius Caesar, Calpurnia and Portia are clear examples of what happens when you don't listen to your wife.
From Portia and Bassanio to Jessica and Lorenzo in Merchant of Venice - marriage doesn't guarantee a happily ever after - but in finding common ground and a shared vision for life with your partner - happiness is within reach.
As demonstrated by Kate and Petruchio, marriage is a partnership and requires teamwork as you play the game of life.
There is one more concept that appears in Shakespeare's plays frequently from his most famous couples to those lesser known. Trust.
Trust and respect is pivotal in nearly all relationships in Shakespeare, and he offers some pretty drastic consequences for letting a marriage break.
Today, we’ll look at two plays that sum up what we feel his perspective on marriage may have been... Macbeth and The Winter's Tale.
Monday Feb 05, 2024
Who you talking Shrew?
Monday Feb 05, 2024
Monday Feb 05, 2024
Most of this season we have attempted to give new perspective to the traditional narrative that Shakespeare viewed marriage negatively having been forced into marriage in his personal life. We have even come dangerously close to calling him a feminist. In this episode, we double down and talk about what most would call his least progressive and most misogynistic play, Taming of the Shrew.
Saturday Dec 30, 2023
And They All Lived Happily Ever After?
Saturday Dec 30, 2023
Saturday Dec 30, 2023
In the last episode, we felt pretty confident saying that Shakespeare believed that a good marriage was one of true partnership filled with respect, trust, communication, and most importantly love. However, in Elizabethan England, the act of getting married was still predominantly a business transaction. While courtship mattered to a degree, you married for three reasons: increased social status, monetary gain, or occasionally love.
But could a transactional marriage lead to a true happily ever after? Or was happiness only found by those madly in love?
In this episode, we take a look at two of the marriages in The Merchant of Venice and explore how running away for love doesn't always guarantee a happy ending - and how marrying by business transaction sometimes can (even if it means coercing fate to get the right mate).
Thursday Dec 14, 2023
Always Listen to Your Wife
Thursday Dec 14, 2023
Thursday Dec 14, 2023
It’s one of the most tried and true storylines, the husband makes bad decisions that his wife warns him not to, the husband does it anyway and shenanigans ensue. Today, it’s more of a setup for comedies than dramas but Shakespeare used this theme throughout the canon. In this episode, we take a look at a couple of couples from one of Shakespeare’s cornerstone plays to see what their relationships can tell us about Shakespeare's views on marriage and partnership.
Tuesday Nov 28, 2023
The Will of Will
Tuesday Nov 28, 2023
Tuesday Nov 28, 2023
On this season of Will: What is He Good For?, we will explore Shakespeare’s marriage to Anne Hathaway and explore his general attitude towards marriage through his personal history and textual clues. There is an academic discussion that because he was pushed into marriage after Anne Hathaway became pregnant and that he gave her the "second best bed" in his will that he had a negative view of marriage. And that this negative view is why he often portrays domineering and destructive marriages. But we say, baloney.
While we don’t know what went on behind Mr. and Mrs. Shakespeare's bedroom doors, we believe there is a common theme in Shakespeare's plays when it comes to marriage and the story is more positive, loving, and modern than one might think.
In Episode 1 - we explore William Shakespeare's final will and testament and discuss what clues the man from Stratford left behind that might give us insight into his perspective on marriage and what his final gift to his wife truly meant.
Additional Links and Helpful Resources
Shakespeare Documented - Shakespeare's Last Will and Testament
Shakespeare Birthplace Trust - The Second Best Bed
No Sweat Shakespeare - An Analysis of William Shakespeare's Will & Testament
Learn more about Will, Victoria, Sharon and their theater company Classics on the Rocks here.
Friday Nov 10, 2023
Season 2 Coming Soon!
Friday Nov 10, 2023
Friday Nov 10, 2023
Season 2 of Will: What is He Good For? is coming soon! Join us for another fun-filled series of Shakespeare history and an exploration of his plays.
This season, we're talking Shakespeare and marriage. What did Shakespeare really think about love and marriage? And was giving his wife, Ann Hathaway, the "second best bed" a dying man's final bitter burn or the gift of a loving and caring husband?
Find out in Season 2.... stay tuned.
About Your Hosts
William Downes
Founder, Artistic Director | Classics on the Rocks
Prior to founding the NYC based theater company, Classics on the Rocks, William Downes spent years honing his craft in and around New York City. He's had the honor of playing some of Shakespeare's most delightful clowns such as Dogberry (Much Ado About Nothing) Dromio of Syracuse (Comedy of Errors) Touchstone (As You Like It) and Launce (Two Gentlemen of Verona). On the more serious side, he's played such intricate roles as Macbeth (MacBeth) Othello (Othello) Roderick (Double Falsehood) and Petruchio (Taming of the Shrew) He also teaches master classes on the use of cue scripts, and First Folio acting technique. In addition to his work with Classics on the Rocks, he does private verse and text coaching.
Victoria Wood
Associate Director | Classics on the Rocks
After graduating with her BFA from Emerson College, Victoria returned home to New York to be a part of the classical theatre scene. After playing such roles as Viola (Twelfth Night), Mistress Ford (The Merry Wives of Windsor), Lady MacDuff (Macbeth), Nerrissa (The Merchant of Venice) and Puck (A Midsummer Night’s Dream), she also received her Masters of Public Administration at Baruch College. Victoria has been directing and co-producing classes and performances with Classics on the Rocks since 2014.
About Classics on the Rocks
Classics on the Rocks is a NYC-based ensemble acting company founded in 2013. At Classics on the Rocks, we believe that just as whiskey doesn't need anything more than rocks to tame its bite, Shakespeare doesn't need fancy concepts, modernizations, frilly costumes, or big sets to make it relatable. All you need are talented actors who trust the text and tell the story.
Our mission is to create a warm, friendly environment where actors and audience can come together and experience classical theatre in an easily accessible, and engaging way. Learn more at www.classicsontherocks.org